In part II, I look at how hobbies influence setting and plot. Some hobbies, being rather portable readingcan occur wherever it suits the writer, while others dictate the setting where they occur surfing.
Stay in your mental pyjamas all day. Stop feeling sorry for yourself. No alcohol, sex or drugs while you are working. Before bed, listen to Schubert, preferably some songs. If you have to read, to cheer yourself up read biographies of writers who went insane. No going to London.
No going anywhere else either.
May 13, · Regarding adverbs: I was recently going through some novels from the s and s looking for the use of adverbs in dialogue. I was working with someone on a story set in the 's, so I wanted to be sure that my impressions were correct before giving my advice. Like so many others, I'm an aspiring author who wants to ask your advice on some detail of the craft. This particular questionable detail is about adverbs and dialogue. Various 'guides to good writing' have told me to avoid adverbs, calling them 'weak' and so forth. Always happy for advice on the process, I was doing some Googling today and stumbled across some useful information. It represents fiction writing advice from established authors.I can definitely agree with some of it – some not so much.
Nevertheless, remember that in the particularity of your own life lies the seedcorn that will feed your imaginative work. Never be satisfied with a first draft. When an idea comes, spend silent time with it. Along with your gathering of hard data, allow yourself also to dream your idea into being.
It has to be earned by all that will go before it. Revisit your plan at this stage and see whether certain things have to be altered to take account of these changes. This will only create biographical unease in the readers and send them back to the history books.
If you must write about real people, then do something post-modern and playful with them. Be economic with descriptions. Sort out the telling detail from the lifeless one. Write dialogue that people would actually speak.
Never begin the book when you feel you want to begin it, but hold off a while longer. But try to do it analytically — which can be hard, because the better and more compelling a novel is, the less conscious you will be of its devices.
I find watching films also instructive. Nearly every modern Hollywood blockbuster is hopelessly long and baggy. Trying to visualise the much better films they would have been with a few radical cuts is a great exercise in the art of story-telling. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories.
Be business-like about it. Treat writing as a job. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote words a day. Jean Plaidy managed 5, before lunch, then spent the afternoon answering fan mail. Those 1, words might well be rubbish — they often are.
But then, it is always easier to return to rubbish words at a later date and make them better. Novels are for readers, and writing them means the crafty, patient, selfless construction of effects. I think of my novels as being something like fairground rides: At the same time… 6.
Characters should be individualised, but functional — like figures in a painting. Each of the characters is unique, and yet each represents a type; and collectively they form a narrative that is all the more powerful for being so tightly and so economically constructed.
On a similar theme… 7.
Avoid the redundant phrases, the distracting adjectives, the unnecessary adverbs.Good advice, but no one tells me when I should or should not use a semicolon. I DO WHAT I WANT. My personal, probably worthless advice to other writers is to follow the example of the movies and do your best to show and not tell.
Whether you’re craving magic or practical tips, we’re dishing up Neil Gaiman’s tastiest advice on writing to keep you inspired for your next project. writing. how to grammar tips trends inspiration. product company. start writing. Neil Gaiman’s 5 Must-see Tips on Perfecting Your Writing. Joanna Cutrara.
Updated on August 5, Writing. the writer might not even be writing the same kind of story as you, they might be better at giving advice than writing (we can’t all be Neil Gaiman), and eliminating their critique based on your opinions of their writing leaves a lot of room open for pride.
Neil Gaiman knows a thing or two about the secret of the creative life. In this mashup of Gaiman’s Nerdist podcast interview and scenes from films about writers, video-monger Brandon Farley captures the essence of Gaiman’s philosophy on writing and his advice to aspiring writers — a fine addition to celebrated authors’ collected wisdom.
This month I chose Neil Gaiman, because he has so much compassion and practical wisdom to share about writing. The amazing thing to me in compiling these lists is that all three writers offer different advice. Neil Gaiman Writing Rules including ideas forbdeveloping: crying characters, body language cues, word histories, etc.
Advice from Stephen King on Writing Writing Resources Suddenly Alligator: Adventures in Adverbs (Language Adventures Book) by Rick Walton.